根據它們的立場

以「根據他們的立場」的文學形式為靈感，這讓我聯想到一首歌曲的名字可以是「立場之間的旋律」。這個名字彷彿描繪了一場音樂交響，每個音符都反映著不同的立場，編織成一個豐富的音樂畫卷。

歌曲中不同的聲音錯落著
模擬個人與周圍人交流模式的差異

這些交流讓我想到，人類的進程是多樣和複雜的，每個人在行為和思考方面都有自己獨特的風格。
比如當我們討論 "現實" 時，通常指的是我們周遭的物質世界、生活環境以及客觀存在的情況。我常常認為打開眼睛看到的景象、感受到的聲音，都可以視為現實的一部分。我製造的聲音有錯落的、非理解的語言、很靠近「外面」的聲音、很迷霧的後面的喃喃之語。一些彈跳的節奏，或是固定的節奏。

沒有一種風格是完全正確或錯誤的，而是取決於具體的情境和個人需求。而理解自己是一場漫長的旅程。

人們的感知和理解是主觀的，不同的人可能對相同的現象有不同的詮釋。有時，夢境或回憶中的場景也會在我們的腦海中變得非常真實，但它們與客觀現實仍有所區別。

有時候我有一些想法
像是，我並不是我感受到的那些之下的我 我像是被帶入了誰的世界學習他們的生活方式還有語言 他們的哭和笑和感到痛苦悲傷的故事 我也會跟他們一樣。 因為是同一種教育 同一種體驗方式 我想我真的很認真學習 有時甚至超越了他們 於是我放大了所有的酸甜苦辣 。假設我一出生就被浸泡在其中一種環境中 ，輾轉好多環境之後我依舊很納悶，所謂 真正的原本的自己的樣子是什麼，又要怎麼識別與理解「真正的原本的自己」

歌曲表達這個過程可能需要面對內在的矛盾和不確定性，並呼籲接受自己是不斷演變的過程，而不是一個靜止的終點。當他人的評價來臨時，嘗試以建設性的態度看待，從中提取有價值的信息，同時不會忘記自己優點。
English
Inspired by the literary form of "According to Their Stance," it evokes the idea of a song titled "Melody Between Stances." This name seems to depict a symphony of music, where each note reflects different stances, weaving together a rich musical tapestry.

Various sounds in the song are intertwined,
Simulating the differences in communication patterns between individuals and their surroundings.

These interactions lead me to think that human progress is diverse and complex, with each person having their own unique style in behavior and thought. For example, when discussing "reality," it usually refers to the material world around us, our living environment, and objective circumstances. I often consider the sights and sounds we perceive when we open our eyes as part of reality. The sounds I create include disjointed, incomprehensible languages, sounds very close to the "outside," and murmurs in the distant fog. Some have bouncing rhythms, while others have fixed rhythms.

No style is entirely correct or wrong; it depends on specific circumstances and individual needs. Understanding oneself is a long journey.

People's perceptions and understandings are subjective, and different individuals may interpret the same phenomena differently. Sometimes, scenes from dreams or memories can become very real in our minds, but they still differ from objective reality.

Sometimes I have some thoughts,
such as, I am not the self beneath what I feel; I seem to be brought into someone else's world, learning their way of life and language, their stories of crying, laughing, and feeling pain and sadness. I am also like them. Because of the same education, the same way of experiencing, I think I really learn seriously. Sometimes I even surpass them. So I magnify all the ups and downs. Suppose I was immersed in one environment since birth, after experiencing many environments, I still wonder, what is the true original self, and how to identify and understand the "true original self."

Expressing this process in a song may require facing internal contradictions and uncertainties, and it calls for accepting oneself as an evolving process rather than a static endpoint. When others' evaluations come, try to take a constructive attitude, extract valuable information from them, and not forget one's strengths.