[2011 Spring] My first time to bear explicitly in mind to make absolute music. The main theme is borrowed from M. J. Hill's "Good Morning to All" (more globally renown as the "Happy Birthday to You" song) but parallelly modulated to a minor key. As arranged as ABA'C form, the B part adopts the original chord progression in the relative A-flat major.
A short invention, largely based on the main theme's chord progression, serves as coda, which shows my counterpoint techniques need improvement.
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